The power of undesign. Michael Bierut on the cover of “Catcher in the Rye.”
But for me, the maroon cover of Catcher has a special place. Blank, enigmatic, vaguely dangerous, it was the perfect tabula rasa upon which I could project all my adolescent loneliness, insecurity, anger and sentimentality.
Interesting note that he mentions: Rumor has it that Salinger so hated the early illustrations used that he insisted the future covers of all his books be type-only.
Several cover images, for the curious: first edition, cheezy 1961 "Sherlock Holmes" cover, Modern Library cover, the "rainbow/white" cover, Penguin paperback, grey cover.