For thirty-six weeks covering a total of 60,000 miles, a sketchbook was sent between four artists, two in Brooklyn and two in Belfast. Every Wednesday, one artist in the collective would receive the sketchbook. It was sent back out the following Monday, giving each artist five days to complete a spread in response to the one that preceded it. A small portion of each entry extends on to the following page. By February, 2004, the book had become a seventy-two page visual conversation composed of drawings, paintings, maps, photographs, smashed cans and mosaic tile.

“We never talked about what each spread meant while we were making book,” explained one contributor, Brooklyn artist Mac Premo. “So it was like a game of telephone, except the structure that was in flux was based on visual response rather than words.”