My guitar instructor recently had me start practicing with a jam track (basically, a recorded song minus the lead guitar and vocals). I’m still learning my way around a minor pentatonic scale, so my improvisation “jam sessions” are halting and awkward, but it’s amazing how much fun it is. As long as I stay on the scale, I can’t go wrong. Any note works. It’s freeing, and powerful, and I’m able to express myself musically in a way I’d never known I could.
If my instructor had said to me, “improvise a melody on top of this track”, I wouldn’t have been able to do it. I would have had no idea where to start or what to do. There are too many possibilities: which strings to hold at which frets, and whether to strum or pluck. It’s overwhelming! But instead he taught me a minor pentatonic scale and said “play any note on that scale while this track is playing”. Suddenly the possibilities were narrowed and instead of feeling straitjacketed, I felt free. I was given power, because my options were constrained.
A similar story: my wife is setting up a new business and one of the things she offers is piano lessons. In preparing to teach these lessons she came across a technique to use with very young children just beginning the piano (though it is awesome for adults, too). You sit them at the piano, hold down the sustain pedal for them (if they can’t reach it themselves), and tell them to play any of the black keys, in any order. The result is remarkably musical, and gives the students a real sense of ability and accomplishment. With no piano training at all you can make something that sounds beautiful! All because you’ve constrained what keys may be pressed.
Sometimes, our options are constrained because of circumstances we have no control over. Obviously, very few of us have unlimited funds or time, and we have to work within those constraints. But whether we choose the constraints or are chosen by them, we can decide to embrace them and find the power there. By embracing them, we grow.
Eventually, we may outgrow those constraints. I won’t always be limited to playing just the minor pentatonic scale. Beginning pianists will learn how to use the white and black keys together to make music. Your business won’t always be on a shoestring budget. But it is a mistake to cast off your constraints too early, or to chafe against them. Make them work for you. Get as much utility from them as you can, for as long as you can.
AC
on 27 Feb 12This is the same technique used in those “dueling piano” bars.
It’s not like those guys playing piano know all sheet music for every song request (they don’t). Instead, they “fake” it by playing the scales and making it up as they go.
Max Schmeling
on 27 Feb 12This makes me think of a conversation I was having with my wife the other day about baby gates. I made the point that baby gates don’t limit our son; they give him freedom. By having limitations (to provide safety) he is able to explore freely any area within those constraints. He may be limited, but he can be (almost) completely free within those boundaries. Without the constraints he has to be carefully watched at all times and within view of an adult which doesn’t allow him freedom to “move about the cabin”.
As with your point, he will outgrow these limitations some day, but for now, they give him more freedom than he could otherwise handle by himself.
Eric
on 27 Feb 12I haven’t tried recent versions, but Band in a Box used to be a fantastic piece of software. Type in chords, select a style and you have an instant backing band. The UI is clunky looking, but the output is top notch. It can even generate (quite good) solos in a particular style and trade fours with you.
http://www.pgmusic.com/bbmac.htm
jamie
on 27 Feb 12The stories are more similar than you realize, Jamis: playing the black keys is also jamming over the pentatonic scale (Eb minor pentatonic or F#/Gb major penatonic).
Derek Pangallo
on 27 Feb 12Coincidentally, the black keys comprise the same scale you are jamming on.
Maria
on 27 Feb 12This reminds me of the paradox of choice. When people have too many choices, they often become paralyzed, not knowing what to choose. The process is tiring and burdensome.
However, few choices make life easier :)
As you said, these “constraints” are not good forever, but they are good until we outgrow them.
GeeIWonder
on 27 Feb 12+1 for BiB which is as close as I’ve come to a decent jam short of the real deal. For a long time it was the only good option really, though there’s a few out there now and some GPL stuff that gets close.
It’s smart enough to meander a little (if you set it up to), so you have to think/feel/follow the changes which is incrementally more advanced than the old ‘jam tracks’.
Shane
on 27 Feb 12I went through the same ‘freeing’ experience when my guitar teacher showed me a similar thing. Although he showed me how it could be expanded to any key, as long as you know the key of the song. Because of this I ended up building a tool and helps you find the keys and then shows you all the notes in it on the guitar strings. Has been loads of fun for me! Check it out! Song Key Finder
paul
on 27 Feb 12great post! interesting thing to think about, is that all musical practice is an exercise in constraints of some kind. some others to try: playing a simple melody, like “happy birthday”, a bunch of different ways. vary the rhythmic quality, vary the phrasing. bend some notes. make some notes short, others long.
playing the melody to “happy birthday”, but add different bass notes underneath. what does this do to the quality of the song?
play the melody to “happy birthday” twice, starting from a different note each time. how does this change the sound?
you get the idea :).
Rick
on 27 Feb 12Hi Jamis. Most people get caught up on note choice, but it’s rhythm and phrasing that typically make the greatest impact on what we hear. To that end, I’d suggest that you take the constraint even farther and try some single-note/pitch solos. You might think 5 notes is liberating enough, but I’ve found that as soon as note choice enters the picture, beginners tend to disregard any notion of rhythmic interest as they meander up and down a scale. A single note solo (played against a backing track) will force you to explore a variety or rhythms and phrasings because that’s all you have to work with. Once you develop a solid rhythmic foundation, you’ll be able to breathe life into anything you play.
Advisor
on 27 Feb 12This makes me think of a conversation I was having with a guy in a wheelchair. Someone made the point that wheelchair doesn’t limit that guy; it gives him freedom. By having limitations (to move whichever way) he is able to explore freely any area within those constraints.
Ridiculous, I know…
Johnson & Brothers
on 28 Feb 12A strong mind can give all the Freedom that you need.
Olivier
on 28 Feb 12I’d like to second Rick’s great advice above. There is so much you can do with a single note by varying rhythm, volume, attack, vibrato, etc.
I love playing around with the pentatonic scale or the blues scale (pentatonic minor + augmented fourth). I’ve stopped counting the number of famous licks I stumbled upon by doing so.
Have fun!
Peaches
on 28 Feb 12Lets be honest. You wanted to use the hipster word ‘jam’ in a sentence. so trendy.
Gerard Kelly
on 28 Feb 12I was hoping this was going to be a post about the band The Black Keys :D
Jazz Piano Love
on 28 Feb 12In case anybody was wondering the all black keys on the piano is a Gb major pentatonic scale. Hope this helps :)
Mike
on 28 Feb 12Jamis— Your story of constrained options in music is a good metaphor for software design too. I work with our company’s programmers to design user interfaces for software that will be used by people who generally aren’t very computer literate and not especially interested in computer software. I constantly remind our programmers that even though you CAN perform an action six different ways, it’s important not to make all six equally obvious to the user. It’s best to give our customers one way that will work every time, and then, as they develop confidence, they have the option to explore and find the other five ways. Same thing with features: make obvious only the essential ones; the advanced features can be discovered as the user gets comfortable with the software. It’s all about confidence: mastering a small world gives you confidence to explore larger ones.
Carl
on 28 Feb 12My guitar instructor uses a Fender G-DEC amp in our lessons, and I got one for using at home when I practice.
In our lessons, he’ll plug into the G-DEC for its backing drums and bass and play rhythm while I’m playing scales. Then we’ll switch rhythm and lead.
At home, I can use the amp’s built-in backing presets or dial in some variation. Way more fun than sitting there in silence and plunking away at the strings!
Jamis
on 28 Feb 12@Mike, I love how you phrased that: “mastering a small world gives you confidence to explore larger ones”. That’s the idea exactly.
This discussion is closed.